Open cinema, transforming audiences

Abstract The transformations involving the film grammars, in the context of a media system increasingly dominated by cross-media logic, seems really dynamic and ready to escape from the old taxonomies of the tradition of film studies. When cinema meets the web 2.0 a set of new phenomena intervene to redefine the cinematic experience. The film comes out from limitations of the screen and of the television, becoming a wider experience of semiotic contamination and social change. To... Read More